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British Cinema: A Very Short Introduction by

• British Cinema: A Very Short Introduction
• Page: 144
• Format: pdf, ePub, mobi, fb2
• ISBN: 9780199688333
• Publisher: Oxford University Press

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Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial - often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points - Alfred Hitchcock - Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

British Cinema: A Very Short Introduction (Very - Amazon.com
British Cinema: A Very Short Introduction (Very Short Introductions) 1st Edition. by Charles Barr (Author). ISBN-13: 978-0199688333. ISBN-10: 0199688338. British Cinema: A Very Short Introduction by Charles Barr
In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)Publication date: 08/23/2022Publisher: Oxford University Press A very short history of cinema - National Science and Media
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In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio- 

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